I remember walking across Jerusalem looking for an Omer-counter. I wanted something both beautiful and mystical.
‘Omer’ is a measure of quantity, apparently equivalent to 2.2 litres, and refers to the offering of barley harvested on the night after the first day of Passover. But it’s come to mean the period of forty-nine days which links Pesach to Shavuot, the festival which marks freedom from Egypt, to the festival which celebrates the freedom to receive and follow the Torah.
I found what I wanted not in a boutique for religious artefacts but in an olivewood workshop. Olivewood has age and depth, resilience and beauty. My counter showed not just each date from ‘one’ to ‘forty-nine’ but, in tiny writing in the bottom corner, the kabbalistic quality of each day.
Today is the thirty-third day, Lag Be’Omer, celebrated as the date when the plague afflicting Rabbi Akiva’s pupils in the first or second century ceased. Mourning is suspended, music is permitted, bonfires are lit, and, most practically, if I have a free moment, I can finally get a haircut – so long as the barbers in this very Jewish borough of Barnet aren’t all booked out.
But what about that small writing in the corner of the counter? It’s hard to explain briefly, but each week of the Omer is dedicated to a kabbalistic quality: first hesed, loving kindness; then gevurah, strength; tiferet, truth or beauty; netzach, triumph or endurance; hod, humility; yesod, foundation; and malchut, sovereignty. Each separate day focusses on a specific quality within its week, guiding a detailed emotional and spiritual journey towards trying to hear God’s words now as once they were heard at Sinai.
Today’s quality is hod she’ba’ hod, humility within humility.
My teacher, Rabbi Louis Jacobs, liked to share the Hasidic teaching that everyone should have two pebbles, one in each pocket. On the first should be inscribed the Mishnah’s words, ‘The world was created for my sake.’ On the second should be the verse, ‘I am but dust and ashes.’ Wisdom is knowing when to take out which pebble.
I used to think that ‘dust and ashes’ was about humility, while seeing the world as ‘all for me’ was the opposite. But that’s wrong. Wonder is also humility: ‘Notice this magnificence, this intricacy, diversity.’ Nicky says her day is made if she sees a kingfisher.
In such moments, ‘for me’ doesn’t mean ‘aren’t I special,’ but rather, ‘what a privilege to be alive and see such beauty.’ ‘Dust and ashes’ doesn’t mean ‘I’m rubbish,’ but rather, ‘I know I’m mortal, so how treasured this brief privilege should be.’ Together the pebbles lead us neither to pride nor self-deprecation, but to the question: ‘How can I best care for life, my life, other’s lives, any life, in all its fragile vulnerability?’
As Arthur Green writes in A Kabbalah for Tomorrow: ‘Hod is the other side of wisdom, the self that bows before the mystery of what is as it is, the self who submits to reality and rejoices in doing so.’
I witnessed this when I served in the chaplaincy at the local hospice. After complex emotional journeys, perhaps through hope, anger, grief, regret, many people reached, in dying, places of appreciation. I’ll never forget the man and his wife to whose room I was called to share a prayer even though I’d never met them. ‘Tell us a verse about life’s wonder,’ they requested, ‘because together we have loved it.’
That’s hod she’ba’hod, humility, gratitude and graciousness woven together. I hold on to their words in these cruel times like a rope to climb up the cliffs of anguish to the green plateau of hope.